INTREPID DINOSAURS

I DO THINGS!

164 notes

muura:

I saw this little girl one day with a pink hijab that had like these gorgeous hand made goddamn star and glitter embellishments all over and I was like wow I just saw a real life dang magical girl good luck with your crime fighting career 

muura:

I saw this little girl one day with a pink hijab that had like these gorgeous hand made goddamn star and glitter embellishments all over and I was like wow I just saw a real life dang magical girl good luck with your crime fighting career 

(via apollyptica)

98,428 notes

extendedburning:

godtxt:

please do not let ferguson die out like everything else big does. do not let this die out. do not let this continue on for three days and then everyone forget about it. do not let this happen.

queue this post up 3 days from now, a week from now, a month from now, a month from then. make sure even if you forget your blog will remember.

(Source: angel-scum, via justplainsomething)

157,819 notes

sunshinychick:

futurescope:

Solar energy that doesn’t block the view

A team of researchers at Michigan State University has developed a new type of solar concentrator that when placed over a window creates solar energy while allowing people to actually see through the window. It is called a transparent luminescent solar concentrator and can be used on buildings, cell phones and any other device that has a clear surface. And, according to Richard Lunt of MSU’s College of Engineering, the key word is “transparent.”

[read more at MSU] [paper] [picture credit: Yimu Zhao]

sunshinychick:

futurescope:

Solar energy that doesn’t block the view

A team of researchers at Michigan State University has developed a new type of solar concentrator that when placed over a window creates solar energy while allowing people to actually see through the window. It is called a transparent luminescent solar concentrator and can be used on buildings, cell phones and any other device that has a clear surface. And, according to Richard Lunt of MSU’s College of Engineering, the key word is “transparent.”

[read more at MSU] [paper] [picture credit: Yimu Zhao]

image

(via craziesunshine)

303 notes

crazyhamlet:

vengerturtle:

Donald Glover, the “Community” veteran who inspired Brian Michael Bendis in 2011 to introduce Miles Morales as the new Spider-Man of Marvel’s Ultimate Universe, is finally getting his chance to play the superhero.
USA Today reports the actor will voice the character next year in an episode of Disney XD’s animated “Ultimate Spider-Man,” which in its upcoming third season carries the subtitle “Web Warriors.” In the “Spider-Verse” story arc, a dimension-hopping Peter Parker (voiced by Drake Bell) tries to prevent the Green Goblin from collecting the DNA of Spider-Men from parallel universes, including Iron Spider, Spider-Man 2099, the Amazing Spider-Girl and Miles Morales.

There’s a clip over at usa today ;v;

crazyhamlet:

vengerturtle:

Donald Glover, the “Community” veteran who inspired Brian Michael Bendis in 2011 to introduce Miles Morales as the new Spider-Man of Marvel’s Ultimate Universe, is finally getting his chance to play the superhero.

USA Today reports the actor will voice the character next year in an episode of Disney XD’s animated “Ultimate Spider-Man,” which in its upcoming third season carries the subtitle “Web Warriors.” In the “Spider-Verse” story arc, a dimension-hopping Peter Parker (voiced by Drake Bell) tries to prevent the Green Goblin from collecting the DNA of Spider-Men from parallel universes, including Iron Spider, Spider-Man 2099, the Amazing Spider-Girl and Miles Morales.

There’s a clip over at usa today ;v;

(via craziesunshine)

45 notes

elmuseo:

Urbes Mutantes: Latin American Photography 1944-2013
@the International Center of Photography 
On-view through September 7, 2014

Urbes Mutantes: Latin American Photography 1944–2013 is a major survey of photographic movements in Argentina, Brazil, Chile, Colombia, Cuba, Mexico, Peru, and Venezuela. Taking the “mutant,” morphing, and occasionally chaotic Latin American city as its focus, the exhibition draws particularly on street photography’s depictions of the city during decades of political and social upheaval. It is divided into sections that explore public space as a platform for protest, popular street culture, the public face of poverty, and other characteristics of the city as described in photographs. Dispensing with arbitrary distinctions between genres of photography—art photography, photojournalism, documentary—Urbes Mutantes points to the depth and richness of the extensive photographic history of the region.

Drawn from the collection of Leticia and Stanislas Poniatowski, the exhibition was first shown at the Museo de Arte del Banco de la República in Bogota in 2013. It was co-curated by Alexis Fabry and María Wills, and is accompanied by a bilingual catalogue published by Toluca Editions.

Images from Top to Bottom: Barbara Brandli, Untitled, Mexico City, 1973-1975; Yolanda Andrade, The boy and the Inferno, Mexico City, 1985; and Nacho Lopez, Teacher’s Strike, Mexico City, 1975

(via anarcho-queer)